Of course! If you were a Marketing guy though, wouldn't Discovery, USA, ABC Family/Disney or AMC make more sense?RaiderMitch said:It got somebody to watch.
Rocket Surgeon said:Of course! If you were a Marketing guy though, wouldn't Discovery, USA, ABC Family/Disney or AMC make more sense?
When you look at it from a marketing/business standpoint, it's interesting to understand motive.The Drifter said:Who really cares what station airs the movie?
Rocket Surgeon said:Which I don't understand in this case.
That's just it Driftwood...The Drifter said:Me either. But, maybe a few bored housewives seen it, and became fans?
Rocket Surgeon said:That's just if Driftwood...
Comercials are bought and sold to certain demographics. You selling hunky Harrison to the Queer Eye for the Straight Guy set?
I just don't see this on down at the salon...Oprah, sure. Raiders?
Rocket Surgeon said:That's just if Driftwood...
Comercials are bought and sold to certain demographics. You selling hunky Harrison to the Queer Eye for the Straight Guy set?
I just don't see this on down at the salon...Oprah, sure. Raiders?
I don't think theres harm, but at first glance it seems financially misguided...The Drifter said:It is hard to understand. But, after spending a little over three years here at The Raven, I have seen Indy fans from all walks of life, and differing tastes and demographics. So, what's the harm showing Raiders to the housewives and soccor-moms? My own mother is a 62 year-old homemaker and she loves the Indy films.....and, she also loved Oprah!
Cablevision launched Bravo as a premium channel available two days a week and sharing channel space with the softcore porn channel Escapade
In 1981, Bravo had 48,000 subscribers in the U.S.; four years later there were around 350,000.[5] A 1985 profile of Bravo in The New York Times observed that most programming consisted of international, classic, and independent film. On Bravo, celebrities such as E. G. Marshall and Roberta Peters provided opening and closing commentary to the films.[5] Performing arts on Bravo included the show Jazz Counterpoint.[5] During the mid-1980s, Bravo converted from a premium channel to a basic cable channel.[6] By the mid-1990s, Bravo began adding sponsorships as PBS did and included commercial breaks by 1998.[4] Bravo signed an underwriting deal with Texaco in 1992 and within a month broadcast the first Texaco Showcase production, a stage adaptation of Romeo and Juliet.[7]
In the Encyclopedia of Television, Megan Mullen perceived certain Bravo programs as "considered too risky or eclectic for mainstream channels". Those programs were Karaoke and Cold Lazarus, the final serials by British playwright Dennis Potter shown by Bravo in June 1997, and Michael Moore's documentary series The Awful Truth from 1999.[7]
Metro-Goldwyn-Mayer owned a 20% stake in the channel from 1999 to 2001. NBC bought the network in 2002 for $1.25B; it had owned a stake in it and its siblings for several years up to that point