Jabba the Hutt: "Wonderful Human Being"
Call this an attempt at a Star Wars myth-buster if you want, but the following issue has been one that I have wanted to investigate for some time now; that issue is the notion that Jabba the Hutt was always intended as an alien. His deleted scene in Star Wars has attracted much attention, and Lucas has long held that he intended to super-impose a creature into the scene and finally realized this with the 1997 Special Edition. Most people have never really called this into question since the only form we have ever known the character in is the gross slug from Return of the Jedi, so it seems natural--that, and the fat Irish "stand-in" seen in the original Star Wars footage is too ridiculous to be believed to have been sincerely considered.
But, I will argue that there is very persuasive evidence to show that Jabba was intended as a human gangster. The large Irish version seen in the original Star Wars, played by Declan Mulholland, seems a bit odd considering where the Jabba character was taken in Return of the Jedi , but without that context this early human version isn't that out of place. Comparatively ineffective, yes--and that I think is one of the reasons the scene was exercised to begin with. But we're getting ahead of ourselves here.
To begin with, we should examine what Lucas himself says about the scene:
"When I first shot the scene with Jabba the Hutt, I knew I was going to create some kind of stop-motion creature...I had to have somebody--an actor--play the part so Harrison had someone to play against, so we just picked a big guy and put him in a fuzzy vest. I, at that point, felt that he may be a character somewhat like Chewbacca, a big furry character. We shot that. As we were cutting the movie, [we] realized relatively quickly that we didn't have the time or the money to actually shoot that scene [the stop-motion optical]. That ILM was pressed way beyond what it could pull off as it was. So I had to abandon that sequence pretty early on. I had to cut back on special effects shots and that sort of thing because ILM just couldn't handle it." (Making Magic CD-ROM)
Now, this seems perfectly believable at first glance--and yet, no one has ever corroborated this story. On the other hand, evidence and documentation from the time of production seems to speak of a very different version--that actor Declan Mulholland was the genuine article.
For starters, actor Declan Mulholland's costume is just that--a complete costume. On a rather modestly-budgeted film such as Star Wars, where the budget was constantly scaled back to maximize every penny, it is very strange that designer John Mollo created and outfitted a complete costume, especially when the budget was being stretched past its limits as it was; and if the "stand-in" was meant to represent an alien, why is the costume consistent design-wise with all the other "scum and villainy" of the space-port? Lucas talks about Mulholland wearing a "fuzzy vest" to represent a furry creature, but in fact the vest is simply one part of a fully decked-out costume that is perfectly in keeping with the other characters of the location; in fact, the pelt vest is part of the "old west" cowboy style of costuming for the Mos Eisley sequence, and if you watch films like Rio Bravo you will see the same sort of costume on display. Not only that, casting director Dianne Crittenden was involved in finding a suitable actor, as Declan Mulholland was a prominent character actor in the UK. He wasn't just a stand-in: Declan Mulholland was meant to be the real thing.
More importantly, while John Mollo and Dianne Crittenden were involved in creating this Declan Mulholland Jabba, there is absolutely no indication that ILM was. Jonathan Rinzler's meticulous book uncovers not a single meeting, nor even a single reference , to Jabba the Hutt even being considered a special effect at this time, nor does any source contemporary to the film's release--nor, in fact, does any source outside of Lucas himself. Not only that, before the scene was ever filmed, when all the other elements of the film were designed, the Jabba creature would have to be designed--but there are no Jabba designs. Only John Mollo's costume sketches (this will be discussed later).
Taking this further, anyone who has worked in post-production would instantly recognize that the way in which the scene was filmed is not at all appropriate for visual effects. There were no plates shot for background elements, and the unrestrained interaction between Han and Jabba--touching each other, physically overlapping, walking around each other--is far beyond any technology available in 1977. In fact, even in the 1997 Special Edition ILM computer wizards had a very hard time restoring the sequence with a superimposed creature, an effort which consumed nearly a year of work using state of the art digital technology--the scene is simply shot without any regard for visual effects. And not only that, there was no visual effects supervisor on-set: a practically mandatory requirement for any special-pass or visual effects elements. ILM was also shooting all of its live-action special-pass optical shots using the Vistavision format, in order to gain quality when ILM composited the extra optical--but the Jabba scene was shot using regular 35mm Panavision cameras. In short, there is no indication from the way the scene was made that there was any consideration for a special effect, and no documented efforts to design or attempt this "creature" were ever made.
But what of the technical issues Lucas maintains plagued the scene? Well, there were indeed technical issues that complicated its filming--but these were not effects-related. They were camera related: lens issues. Often times scenes will have to be re-filmed when the dailies are screened due to focus issues, either by faulty lens optics or simple human error of the focus puller. Gary Kurtz remembers:
"Well, the original idea was that [the Jabba scene] was supposed to be there. It is in the script ... but it was a guy, a human being, this sort of fat guy... looked a bit like Sydney Greenstreet... and the scene is pretty much, I mean dialogue wise, it's exactly what you see in the Special Edition. But it was a person that was there, and we had technical difficulties with that scene. We shot it over three times for camera problems, focus problems, and film stock problem, and then abandoned it because we ran out of time. We just said, "Well, the bulk of the information that comes across in that scene, about Jabba threatening Han Solo and wanting his money and all of that, we could get across in the scene in the Cantina, with Greedo." It's basically the same kind of information. So we just added some bits to the Greedo scene to make it a little bit longer that gets across that information, and then jettisoned that other scene. This all happened while we were shooting. It wasn't done in the cutting room."
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http://movies.ign.com/articles/376/376873p3.html)
The Making of Star Wars seems to corroborate some of this, stating that the daily production reports indicate a faulty 40mm lens caused difficulty during the shooting of the docking bay scenes the week of Monday, April 12th, 1976, although it's unclear if this is second-unit or not (p. 167).
As to the scene's deletion from the film, we again find an answer that is entirely unrelated to any sort of "creature" complication: the scene simply wasn't necessary. With Greedo already confronting Han on behalf of Jabba, it was redundant. The Making of Star Wars claims that it was because ILM didn't get the stop-motion Jabba created in time (p.232)--but no one can corroborate this. Not only that, there is no evidence that it was ever attempted, not even in the meticulously detailed Making of Star Wars itself. All that editor Richard Chew says about its deletion in that book is: "George also thought there were too many phony-looking green Martians that looked like Greedo in the background." (p. 232) Indeed there was. Editor Marcia Lucas gives us the most detailed account in John Peecher's 1983 book:
"Jabba was a big debatable item. George had never liked the scene Jabba was in because he felt that the casting was never strong enough. There was an element, however, that I liked a lot because of the way George had filmed it. Jabba was seen in a long shot and he was yelling, while in the foreground, in a big close-up, Han's body wiped into the left corner of the frame and his hand was on a gun and he said, 'I've been waiting for you, Jabba.' Then we cut to Han's face and Jabba turned around. I thought it was a very verile moment for Han's character; it made him a real macho guy, and Harrison's performance was very good. I lobbied to keep the scene. But Jabba was not terrific, and Jabba's men, who all looked like Greedo, were made of molded green plastic. George thought they looked pretty phony, so he had two reasons for wanting to cut the scene: the appearance of Jabba's men and the pacing of the movie. You have to pick up the pacing in an action movie like Star Wars , so ultimately, the scene wasn't necessary." (p. 89)
Lucas himself even alludes to this: "The scene with Greedo tells the same story, which is Han is wanted by a bounty hunter and that's his motivation for taking these guys on this trip." (Making Magic CD-ROM)