I'm with Matinee Idyll on this one - I find that a profoundly disturbing statement. Spielberg, for all his faults (and while I don't go as far as Clinton in my criticisms, which for me basically go to the fact that his work just doesn't excite me at this point in my life), has one of the best claims to artistry in filmmaking today. Yes, Indiana Jones is a genre film, but some of the most fascinating films that have been made are those that play with the tropes of a genre and elevate them to the status of art. The Western has seen this sort of development the most, with <I>The Man Who Shot Liberty Valence</I> as perhaps the greatest example there is. The genre isn't what's getting in the way of this film being something better than it could be. It seems to me that the combination of what sounds like the lesser remains of the Saucermen script along with cosmetic elements returning from Raiders. Do we really need to enshrine Marion as the love of Indy's life, especially considering the inauspicious start of their relationship, and do we really need to include an artifact that gives the story of the original film both <I>the</I> central place in Indy's life (Last Crusade, if anything, has a better claim on that) and reduces it to prelude to this film?
Making it for the fans? I never asked for that, Mr. Spielberg, and certainly not in this form. A film's not worth making unless the filmmakers are making it for themselves.