YoungIndianaJonesMusic.com organizational question
Currently, on
http://www.youngindianajonesmusic.com/cue-lists I have the details about what music is "available" organized by DVD. I started this way on both the GDoc spreadsheets and the site since the DVDs are (1) currently available and (2) the time indexes are consistent and unambiguous. In contrast, the broadcast episodes are unavailable to most, and the timings will be inconsistent (ad breaks, stretched VHS tapes, etc).
That said: the music was, for the most part, composed for the broadcast episodes. I don't know if any new music was recorded for the bridging segments (it is a re-use in the cases I can think of). This leads me to think that the site should use the broadcast episodes as the primary breakdown, and include DVD chapters and time indexes as secondary.
Thoughts?
And perhaps more importantly... what should the list be? Should we treat
http://raven.theraider.net/showthread.php?t=19276 as consensus?
"The Curse of the Jackal" Egypt, May 1908 / Mexico, March 1916
London, May 1916
British East Africa, September 1909
Verdun, September 1916
German East Africa, December 1916 / Congo, January 1917
Austria, March 1917
"Trenches of Hell" Somme, Early August 1916 / Germany,Mid-August 1916
Barcelona, May 1917
"The Mystery of the Blues", Chicago, April-May 1920
Princeton, February 1916
Petrograd, July 1917
"The Scandal of 1920", New York, June-July 1920
Vienna, November 1908
Northern Italy, June 1918
"The Phantom Train of Doom", German East Africa, November 1916
Ireland, April 1916
Paris, September 1908
Peking, March 1910
Benares, January 1910
Paris, October 1916
Istanbul, September 1918
Paris, May 1919
"The Hollywood Follies", Hollywood, August 1920
"Treasure of the Peacock's Eye", London/Egypt/South Pacific, November 1919
"Attack of the Hawkmen", Ravenelle/Ahlhorn Germany, 1917
"Travels with Father", Russia/Athens 1910
Tangiers 1908
Florence, May 1908
Prague, August 1917
"Daredevils of the Desert", Palestine, October 1917
Morocco 1917
Transylvania,January 1918
Princeton 1919
(Thanks to Annie Jones and Stoo).
The desire would be a list of distinct compositional units, i.e. the composer sat down and wrote a score for one entry, even if it was broken up for broadcast with distinct bookends. I'm not sure we'll ever know that, unless we had production numbers. Also, I'm unsure of what ordering to use.
Thoughts?