http://www.ew.com/ew/article/0,,20192040_2,00.html
Hahahahahahehehehe:
That's (it's two things, actually) what I like to hear:
Also: It think the last part about "knowing too much about a film in advance" is very very very interesting. Especially as Lucas and Spielberg represent two perspectives on that. I absolutely agree and love what Spielberg says about knowing scenes from the trailer:
And the best line is really the last one (if you've seen what comes before it):
While Spielberg has fundamentally inspired my love of film there's also a lot of things about his work that I don't get or like. Often that makes the stuff I not only like but love about his work seem like a miracle. Because as an artist and aesthetically he seems to come from places that seem to be strangely foreign to me. I guess that's the miracle of art, though. Anyway, besides all the little things of his work I don't get I could certainly listen to him talking for days and weeks. He's just got a very inspiring and charismatic personality.
Hahahahahahehehehe:
Plus he's got a sidekick to show him up — Shia LaBeouf, who plays a young ''greaser.'' Did he even know what a greaser was?
SPIELBERG: He didn't.
LUCAS: I had to train him. Shia got sent to the American Graffiti school of greaserland. And I became the consultant on his comb.
SPIELBERG: [Looking bemused] That's right.
LUCAS: And Steve would call on me every once in a while. If I wasn't there, he'd call me up and say, ''Look, there's a leather jacket we have in this shot, and we need to know — should it be unsnapped, or snapped?''
SPIELBERG: I remember that stuff too. I remember Ed ''Kooky'' Byrnes [from the TV series 77 Sunset Strip] with his comb..
That's (it's two things, actually) what I like to hear:
You've made Indiana much older in Crystal Skull — the character is nearly 60. And Harrison Ford turned 65 while you were making the film.
LUCAS: There was never any question about the fact that we were going to have Harrison play his age.
SPIELBERG: There's a line that was thematic for me, and it's not a line that's actually in the movie. And it illustrates why I was comfortable letting Harrison age 18, 19 years. In the first movie, he says, ''It's not the years, sweetheart, it's the mileage.'' Well, my whole theme in this movie is, It's not the mileage sweetheart, it's the years. When a guy gets to be that age and he still packs the same punch, and he still runs just as fast and climbs just as high, he's gonna be breathing a little heavier at the end of the set piece. And I felt, Let's have some fun with that. Let's not hide that.
Also: It think the last part about "knowing too much about a film in advance" is very very very interesting. Especially as Lucas and Spielberg represent two perspectives on that. I absolutely agree and love what Spielberg says about knowing scenes from the trailer:
So. True.Well, here's my debate on that. I've always been stingy about the scenes I show in a teaser or a trailer. Because my experience has been — and my kids' experience has been, 'cause they talk out loud in theaters, like everybody else does today — that if a scene they remember from the trailer hasn't come on the screen yet, and they're three quarters of the way through the movie, they start talking. ''Oh — I know what's gonna happen! Because there was that one little scene they haven't shown yet in the movie I'm experiencing, and it's coming up!'' And it ruins everything.
And the best line is really the last one (if you've seen what comes before it):
Hahahahahohohohohooo. The imdb mb headline in question is typed as we speak.SPIELBERG: [Laughs] And by the way, when you run this? There'll be people that believe it!
I love me some words from the Berg's mouth.A movie happens in a way that has always been cathartic, the personal, human catharsis of an audience in holy communion with an experience up on the screen.
While Spielberg has fundamentally inspired my love of film there's also a lot of things about his work that I don't get or like. Often that makes the stuff I not only like but love about his work seem like a miracle. Because as an artist and aesthetically he seems to come from places that seem to be strangely foreign to me. I guess that's the miracle of art, though. Anyway, besides all the little things of his work I don't get I could certainly listen to him talking for days and weeks. He's just got a very inspiring and charismatic personality.
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