replican't
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JediJones said:I don't think Ford's age matters at all. One of Skull's mistakes was making a big deal out of his age, having Mutt call him "old man" and stuff. Calling attention to it diminished the Indy character unnecessarily. As they said in the promos for the movie, Ford didn't look much different in the costume than he did back in 1989. And when he was doing his (too few) big action scenes, the fights with Dovchenko in particular, they were completely convincing.
Spielberg shot 80% of the Temple of Doom conveyer belt fight with a stuntman because Ford was injured. This is called movie magic. The action Indiana Jones did on screen was always spectacularly impossible to do in real life. There's no reason to hold back on that to try and reflect what a man can "really do" at that age. What he did in the earlier films wasn't what a man could really do at those ages either.
One thing's true about Lucas' films. They have always used state-of-the-art special effects techniques. So to think that CGI is somehow wrong for Indy, it's not. They didn't hold back on possible effects technology in the original films so they shouldn't hold back on the new ones out of some misguided sense of "tradition."
Skull's problems had nothing to do with the actors, the effects, the directing or any of its conceptual ideas, including the aliens. It had everything to do with the final screenplay, which appears to have been the work of David Koepp. The problems with this screenplay are absolutely endless...poor structure with little foreshadowing or callback moments, slow pacing, long stretches of story with no threats or excitement, subplots that go nowhere, too much expository dialogue that doesn't build character, too many characters (especially the awful Mac, ugh), a lack of suspense due to a failure to establish the ground rules of the supernatural artifact, a lack of clever ideas and moments, recycled moments from and gratuitous references to the other films, etc. Koepp has been doing bad screenwriting since at least the first Jurassic Park, a movie that had as much potential as Crystal Skull yet suffered from the same all-around weak writing. With better writing, a new Indy sequel could be a lot better than Crystal Skull. The series needs a "hungry" writer to give it fresh inspiration, not a fat and happy Hollywood hack like Koepp.
Nah, Ford's too old.