arkfinder said:
Jackson's King Kong is a bad film.
Well, ya can't please everybody...Seriously, man, you have
no idea what you're missing out on!
Dayne said:
Jackson's King Kong is a very very very entertaining film. Jurassic Park III is a bad film. I would not liken the two however. And the Extended Edition is even better! Who could forget the reimagined spider pit sequence? This is coming from someone who loves the original as well.
Exactly! Every frame of this fabulous motion picture oozes love from every orfice! Jackson's reverence of the original is so infectious, and for hardcore Kong buffs like me, little moments like Denham's Broadway Act (recreating the sacrifice ceremony from the classic film, and even has Max Steiner's unforgettable music!) and the brief references to Fay Wray and Merian C. Cooper ("Fay's a size four!" "Yes, but she's doing a picture for RKO." "Cooper, huh? I might've known...") are more pleasurable than a night of the greatest sex imaginable. Thank you, PJ! Go kick our asses with you and Guillermo del Toro's Hobbit films! And Godspeed on you and Spielberg's TinTin movies!
Montana Smith said:
I thought Jackson's King Kong was an incredible film - both in terms of effects and in faithfulness to the spirit and story of the original novel. The story itself is the classic beauty and the beast, and the ending is sympathetically sad, as the life fades from Kong's eyes and he slips off the Empire State. It was as much an allegory about capitalism (written during the Depression) as it was about a great ape.
One of the most heartbreaking scenes I have ever, and ever will have, watched in a motion picture is Kong slowly succumbing to the effects of Englehorn's chloroform as he desperately tries to reach Ann. He has a harpoon in his leg making it even more difficult. And just before he finally gives out, Kong pleadingly opens his hand outstretched. Peter Jackson perfectly described Kong's thoughts in his DVD commentary as "all I want is to hold you again. That would make me happy. That's all I want anymore."
And what's most devastating is how you can see the sympathy and guilt on the faces of Englehorn, Jack and Preston. It's because they've realized that this animal actually has a soul, and wants nothing more than to never again be alone. If this isn't masterful storytelling, then I don't know what is.
Montana Smith said:
Of course it's set in a 1930s world that Indiana could very well co-exist in. A world of tramp freighters, stylish cars and fashions, and a world that still held a lot of mystery.
Matt
Now THERE'S an idea! Indy gets shipwrecked on Skull Island! Or perhaps the long-gone civilization that once lived there had some sort of powerful magical relic that the Nazis are after! Sorta like the plot of
Son of Kong, but with Indy instead of Denham! What a crossover! Instant win! I'm there!