There's still plenty of possibilities, Thanatos, even if they're merely conceptual. No need to come riding in yet.
Crack that whip said:This reminds me of a couple points that had occurred to me in different contexts - well, one opinion and one question, really. First, it seems to me that one way in which the two theatrical installments of this series that are generally regarded as the "lesser" ones differ from one another is that Temple of Doom pretty much succeeds at doing exactly what it sets out to do, but wasn't particularly narratively ambitious to start with, whereas Kingdom of the Crystal Skull aspires to and doesn't quite hit a somewhat loftier set of aspirations. If so, do we credit Doom and decry Skull for squarely hitting and not quite hitting their respective marks, or do we credit Skull and decry Doom for setting out greater and lesser goals to begin with? Personally, I'm fine with enjoying both for what they are, but then I'm kind of easygoing and forgiving that way (and inclined to be more so in the case of this series, I freely admit, since I just want to enjoy as much Indy as I can).
The other is a question I was thinking of giving its own thread (and probably will later), but I'll go ahead and mention it here since I think it's relevant to this line of discussion: what do we (and more general audiences) want or need from an Indy movie? Might we enjoy or appreciate a totally different sort of story - one that differed in style and tone not in the relatively limited way that the four extant movies differ from one another, but more along the lines of how very different some episodes of the TV show are from the movie series? What would people think of, say, a contemplative drama built around the character, as opposed to the pulp action-adventure we generally associate with him?
Crack that whip said:No one has any thoughts they'd care to post re: the question in my post above? I'd have thought it qualified as "possibilities," if nothing else...
Crack that whip said:Well, what if it weren't even really "sold" as "an Indy movie" - what if it had some title that didn't take the form "Indiana Jones and the Something-or-Other," and had trailers that didn't even mention the character's name? Suppose it were presented as a period drama starring Harrison Ford, directed by Steven Spielberg and conceived and produced by George Lucas, with music by John Williams but with nary a note of "The Raiders March" in the trailers - something casual moviegoers could conceivably not even realize was about Indiana Jones until they were five minutes into it on opening day...
Crack that whip said:No one has any thoughts they'd care to post re: the question in my post above? I'd have thought it qualified as "possibilities," if nothing else...
Crack that whip said:See, naturally if you make a movie with Indiana Jones in it, people are going to think of it as an Indiana Jones movie, and go into it with certain expectations, regardless of whether you're trying to meet those expectations or do something entirely different. If you want to use the character to tell other sorts of stories than the kind seen in the first four movies, that's potentially a problem. I just wonder whether there's any way it could be done viably...
Matt deMille said:It may not be much, but for those jonesing for a fifth Indy movie, I wrote script for one. It'll never get made, of course, but it can be a fun read and it has, I think, at least a few good ideas. Find it here:
http://www.mattdemille.com/scripts 02.htm
If you don't want to risk the time, here's a breakdown of it:
1) Sidekick: Sallah. It's a road movie about two good friends.
2) Teaser: Egypt, beneath the Sphinx.
3) Relic: Ancient city. Pre-Atlantean.
4) Lore: Mixes theories of Pangea, Atlantis, and the works of Graham Hancock and Edgar Cayce.
5) Theme: Unity and friendship.
I know this basic idea has been done in other fan-scripts, but I've got twenty years of research and study into this material so it's well based on true legends and archeology, thus giving Indy its requisite "feels reel" aspect.
Montana Smith said:Keep Indy tough and in control. Keep his resilience and determination. Let him fire his gun and use his bullwhip so that he doesn't have to run so much. Keep his steely glare and iron resolution, and force him to resort to his wits to survive. Let him out-think the opposition - as there are different ways of creating pace and tension for cliffhangers.
You might fool the audience for a little longer, into believing that this is a guy who's never going to give up.
Rocket Surgeon said:Joe Johnston did a fine job of it with punt Steve Rogers in First Avenger.
Crack, in case you've haven't seen it, this thread might interest you: Hitchcockian Indy V.Crack that whip said:The other is a question I was thinking of giving its own thread (and probably will later), but I'll go ahead and mention it here since I think it's relevant to this line of discussion: what do we (and more general audiences) want or need from an Indy movie? Might we enjoy or appreciate a totally different sort of story - one that differed in style and tone not in the relatively limited way that the four extant movies differ from one another, but more along the lines of how very different some episodes of the TV show are from the movie series? What would people think of, say, a contemplative drama built around the character, as opposed to the pulp action-adventure we generally associate with him?
Very likely he got picked up by his alien friends and was whisked away into the space between spaces.Attila the Professor said:So I don't know what happened to the old boy, but some of the ideas in the pages of his script he has available here are actually somewhat interesting. Hard to tell where they might lead, and some of the breakdown worries me about its potential to be the Bucket List of the Gods, but I'd take a look, if you hadn't before.
I actually managed to miss breakfast this morning but am hoping to catch some later in the week.Darth Vile said:I actually managed to miss First Avenger in the cinema, but hoping to catch it on Blu Ray... Thought it got fairly positive reviews (and looked solid enough in trailers etc.), but I except that positive reviews don't automatically equate to "good".
Got mine courstesy of business/first class this morning... Nothing quite like breakfast in style.Stoo said:I actually managed to miss breakfast this morning but am hoping to catch some later in the week.
Same here, Indy's bro'. Digging a ditch, stuck in traffic, whatever. I would also watch Indy eating a plate of bacon.Indy's brother said:I could watch Indy dig a ditch for an hour and a half, personally.
Hope you drank the complimentary bottle of water, Darthy. First class, business or economy, ALL airline meals contain a high level of salt.Darth Vile said:Got mine courstesy of business/first class this morning... Nothing quite like breakfast in style.
replican't said:Here's an idea, Lucas: set it in the 1980s:
On a serious note: have a look at the pictures of Ford and the general tone of this article here. Do you really think an Indy 5 would be anything other than risible?
http://www.dailymail.co.uk/tvshowbi...ergetic-day-playing-football-adopted-son.html