The Possessed
By Arthur Lubow
Published: June 24, 2007
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If you have visited Machu Picchu, you will probably find Bingham?s excavated artifacts at the Yale Peabody Museum in New Haven to be a bit of a letdown. Mostly, the pieces are bones, in varying stages of decomposition, or pots, many of them in fragments. Unsurpassed as stonemasons, engineers and architects, the Incas thought more prosaically when it came to ceramics. Leaving aside unfair comparisons to the jaw-dropping Machu Picchu site itself, the pottery of the Inca, even when intact, lacks the drama and artistry of the ceramics of earlier civilizations of Peru like the Moche and Nazca. Everyone agrees that the Machu Picchu artifacts at Yale are modest in appearance. That has not prevented, however, a bare-knuckled disagreement from developing over their rightful ownership. Peru says the Bingham objects were sent to Yale on loan and their return is long overdue. Yale demurs.
In many ways, the dispute between Yale and Peru is unlike the headline-making investigations that have impelled the Metropolitan Museum in New York, the Getty Museum in Los Angeles and the Museum of Fine Arts in Boston to repatriate ancient artifacts to their countries of origin. It does not revolve around criminal allegations of surreptitious tomb-raiding and black-market antiquities deals. But if the circumstances are unique, the background sentiments are not. Other countries as well as Peru are demanding the recovery of cultural treasures removed by more powerful nations many years ago. The Greeks want the Parthenon marbles returned to Athens from the British Museum; the Egyptians want the same museum to surrender the Rosetta Stone and, on top of that, seek to spirit away the bust of Nefertiti from the Egyptian Museum in Berlin. Where might it all end? One clue comes in a sweeping request from China. As a way of combating plunder of the present as well as the past, the Chinese government has asked the United States to ban the import of all Chinese art objects made before 1911. The State Department has been reviewing the Chinese request for more than two years.
The movement for the repatriation of ?cultural patrimony? by nations whose ancient past is typically more glorious than their recent history provides the framework for the dispute between Peru and Yale. To the scholars and administrators of Yale, the bones, ceramics and metalwork are best conserved at the university, where ongoing research is gleaning new knowledge of the civilization at Machu Picchu under the Inca. Outside Yale, most everyone I talked to wants the collection to go back to Peru, but many of them are far from disinterested arbiters. In the end, if the case winds up in the United States courts, its disposition may be determined by narrowly legalistic interpretations of specific Peruvian laws and proclamations. Yet the passions that ignite it are part of a broad global phenomenon. ?My opinion reflects the opinion of most Peruvians,? Hilda Vidal, a curator at the National Museum of Archaeology, Anthropology and History of Peru in Lima, told me. ?In general, anything that is patrimony of the cultures of the world, whether in museums in Asia or Europe or the United States, came to be there during the times when our governments were weak and the laws were weak, or during the Roman conquest or our conquest by the Spanish. Now that the world is more civilized, these countries should reflect on this issue. It saddens us Peruvians to go to museums abroad and see a Paracas textile. I am hopeful that in the future all the cultural patrimony of the world will return to its country of origin.? Behind her words, I could imagine a gigantic sucking whoosh, as the display cases in the British Museum, the Smithsonian, the Louvre and the other great universal museums of the world were cleansed of their contents, leaving behind the clattering of a few Wedgwood bowls and Sèvres teacups.
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Burger and other scholars believe there was no gold for Bingham to find at Machu Picchu because the royal family would take precious objects back to Cuzco when they left the estate. During his lifetime, however, Bingham was plagued by rumors that he had smuggled gold out of Machu Picchu through Bolivia. Those rumors persist. I heard them myself in Peru, from people who told me that their grandparents witnessed Bingham?s caravans laden with mysterious material, heading east for the border to evade export controls.
Such gossip is wishful thinking. By the time Bingham came to Peru, there was very little Inca gold remaining anywhere in the world. It vanished centuries earlier. When Francisco Pizarro seized Atahualpa in 1532 and held him hostage, the Inca ordered his subjects to collect a ransom. The obedient populace stripped the enormous gleaming panels and other lavish embellishments from the Temple of the Sun in Cuzco, which were a legacy of Pachacuti. They dismantled an artificial garden of sculptures of corn, flowers and birds, all realistically made with precious metals. They conveyed vases, idols, drums, pots, altars, fountains, masks and other creations of the finest goldsmiths ? the tribute that this great and isolated civilization had paid to its gods and rulers. The chronicles record the steady arrival of prodigious quantities of gold, which the conquerors stored alongside their prisoner. All for naught. The Spanish executed Atahualpa anyway and melted down the treasure to ship home. As I talked to people in Peru about the Bingham collection, this tragic history was always flickering in the background. The Spanish ships heavy with plunder sailed from Peru long ago. The patrimony is irretrievable, the Spaniards unaccountable. Yet the drama continues to play out, like a recurring nightmare or a neurotic repetition compulsion, within Peru today. Precious objects that remain in Peru ? things far more beautiful than the Machu Picchu crockery ? are still being extracted at a horrifying rate. In many parts of the country, especially along the coast, tomb-robbing is a major industry: the huaqueros sell the plundered antiquities to middlemen for placement with rich collectors in Lima or abroad. The dispute with Yale is a sideshow.
Historic relics have pragmatic value: politically, for purposes of national pride and partisan advantage; economically, for display to tourists, museumgoers, magazine readers and TV-program watchers; scientifically, as research material for scholars pursuing academic careers; and, most nakedly, as merchandise for dealers in antiquities. In comparing the arguments and motivations of the different claimants to the Yale collection, I often identified with historians of the Inca trying to untangle those Spanish chronicles that were spun from the tales of native informants with their own purposes. The people at Yale say that they have preserved the collection as a legacy of a great civilization and they want to continue to study these artifacts to learn more about that culture. They are also paying tribute to one of the most colorful and glamorous figures in the university?s history. The Peruvians celebrate their own legendary ancestor when they describe the urgency of their case, but they also have very down-to-earth political and commercial uses for the collection. ?Cultural patrimony? ? the phrase sounds so otherworldly. Bingham and Pachacuti were both very practical men. They would not have been fooled for a minute.
