Udvarnoky said:Well of course it all comes down to partial sets to represent gigantic settings - that's how movies are made, after all. And what I'm saying is, partials is all they needed. There are several outside sets in this movie other than those - the marketplace, the jungle campsite. If anybody had given a reason for Indy and the heroes to say, be chased around the area that existed between the two main temples, that could have been accommodated. I don't understand why you would just conclude that it must have been a limitation of technology. They shot what was on the page.
I don’t have an issue with the speed they get down the steps, or to the other side. Where it could have done with a more comprehensive establishing shot is when they reach the top of the obelisk.Udvarnoky said:And yet, those 20 seconds work pretty well, with the protoganists staring at the find with wonder and John Williams giving us some effective ambience. There's no time to "take in" Akator for the characters, because they spend the proper entrance to the valley being chased down steps. Cut to them walking about the next temple. It's set hopping - and to pre-empt your helpful reminder that all movies are technically actors on sets - it feels like set hopping.
Which page of the Udvarnoky book of filmmaking does it proportion establishing shot to scale of structure?Udvarnoky said:I would also point out that the "establishment" of the Grail temple is appropriate for what the find is. Akator is supposed to be a city, not a structure.
Udvarnoky said:In keeping with what? A vaguely reminiscent example from Last Crusade that you broke down into mathematical terms? I'm not sure what useful we've really learned here. I also think you're grasping with the "too much CGI" stuff, as what I'm proposing has no CGI relevance, and the movie is already criticized for too much CGI anyway, so either it wouldn't have mattered or Lucas/Spielberg weren't as perceptive of the issue as you think.
But that’s not an empirical reason why one is better? You are simply stating that your preference makes the movie more real for you. Whatever works.Udvarnoky said:That's an easy one - I prefer the substitutions that involve actors being filmed in actual faraway places.
Udvarnoky said:If a reminder that "Using blue/green screen is just part of modern movie making" is the way you choose to address my complaint, I am sad
So I’ve already stated that there should be a modicum of location shooting… but it really isn’t a big thing for me. I believed Indy was in Nepal, Singapore, Austria and somewhere near the Amazon, just as much as I believed he was in India and Egypt. I agree that the Sri Lankan footage in TOD is some of the best location footage to date, but it doesn’t make the movie any better than Raiders or TLC (IMHO). What can I say?Udvarnoky said:The hell it is. No one is denying that CGI would always have been heavily involved in bringing Akator to life. Spielberg made a decision to shoot in Indiana Jones movie entirely in his home country.
AlivePoet said:I thought you capped off at 658 back in the day for reasons as demonstrated most lucidly above?
Darth Vile said:My you are being pedantic this afternoon. I specifically quoted your line “allowing the size of Akator to register”, because I didn’t want to see more shots of Indy and co. looking amazed or in awe at something off camera (or necessarily see them walking slowly through ruins)… I simply wanted a longer shot showing the scale/detail of Akator. I think it’s logical to assume that if Spielberg/Lucas had given the audience that shot, it would have been a visual effects shot.
Darth Vile said:I don’t have an issue with the speed they get down the steps, or to the other side. Where it could have done with a more comprehensive establishing shot is when they reach the top of the obelisk.
Darth Vile said:Which page of the Udvarnoky book of filmmaking does it proportion establishing shot to scale of structure?
Darth Vile said:You are purporting that KOTCS doesn’t use establishing shots as effectively as the other movies (specifically in relation to Akator).
Darth Vile said:But that’s not an empirical reason why one is better?
Darth Vile said:You are simply stating that your preference makes the movie more real for you. Whatever works.
Darth Vile said:Because film making has moved on… and not all for the best I would concede. But arguing the toss of real location footage versus CGI enhanced back lot shooting seems somewhat redundant (as I'm not sure this is the thread).
Darth Vile said:So I’ve already stated that there should be a modicum of location shooting… but it really isn’t a big thing for me. I believed Indy was in Nepal, Singapore, Austria and somewhere near the Amazon, just as much as I believed he was in India and Egypt. I agree that the Sri Lankan footage in TOD is some of the best location footage to date, but it doesn’t make the movie any better than Raiders or TLC (IMHO). What can I say?
Udvarnoky said:The size of the city registering for the audience does not neatly translate to more or longer wide shots of the city in my mind. I had no idea until now that it did for you.
Udvarnoky said:As I've stated before, I go by how something feels, whereas you've got to convert everything to a math equation with a long hand proof alongside - see how far that gets you when talking to people about movies. The arrival at the Grail temple exterior simply felt appropriate to me in terms of majesty, and I'm offering a possible rationale of why this was so for me, and why by contrast the discovery of Akator was not. I don't think the fact that a temple is a comparatively much smaller and less significant find than an entire city (which the film is built around) entirely irrelevant, but don't let reason stop you from getting defensive over nothing.
Udvarnoky said:Wrong. All I did was use the movie's only full shot of the valley that Akator resides in to make a point about the scope of Indy's find in the movie versus how much the notion is exploited. We can safely skip over everything else you wrote in that paragraph.
If you want to influence a view, a critique should be based on more than ?how something feels?. Otherwise it runs the risk of turning into unsubstantiated hokum e.g. ?KOTCS is great because it?s Indy?.Udvarnoky said:There you go with your empirical reasons. I'm waiting for you pull out a ruler and confirm that, yes, the film reels to Indy4 are exactly the 35 millimeters that the original trilogy are, therefore any argument that visits differences between any Indiana Jones movie is null and void.
Because you seem to readily make the assumption that your view = the correct view? that because you don?t like the movie it means that it?s a bad filmmaking. After all this time, I'm still not convinced by your arguments.Udvarnoky said:Yeah, no kidding. Why does that freak you out again?
I think the reason why the finale doesn?t quite live up to the other three is for reasons other than ?how well Akator was sold to me?. As you said in a previous post, perhaps you are influenced more than you think by your cynicism???Udvarnoky said:Weird. Wouldn't my feelings about how well Akator was sold for me as a real place have everything to do with the film's finale, the subject of the thread?
Nope ? Just suggesting that perhaps you place too much emphasis on the requirement for location footage... and that perhaps the issue is yours and not the movies???Udvarnoky said:So, to paraphrase what you just wrote, the belief that Temple has the best location footage of the Indy movies doesn't make it better than Raiders of the Lost Ark and Last Crusade. That's the conclusion you've reached after all of this. I just need to let this sink in for a minute.
FILMKRUSC said:Here's a Indiana Jones retrospective.
KOTCS continued the Indiana Jones tradition of a film in the Indy series to be nominated or win an Academy Award as did each of the first three films Raiders/Temple of Doom/Last Crusade....
Or wait that's right, KOTCS wasn't nominated and didn't win a Oscar.
It won a Razzie for Worst Prequel,Remake, Rip-off or Sequel Award.
What a nose dive this franchise took.
What a stupid reason to be disappointed. It wasn't nominated for an oscar, but it won a national movie award for best adventure movie, a grammy for the adventures of Mutt, Even a Saturn award for best special effects.FILMKRUSC said:It doesn't hold up in a lot of areas (from lighting to acting to script to direction to Williams lackluster musical score).
I was completely disappointed by KOTCS.
Here's a Indiana Jones retrospective.
KOTCS continued the Indiana Jones tradition of a film in the Indy series to be nominated or win an Academy Award as did each of the first three films Raiders/Temple of Doom/Last Crusade....
Or wait that's right, KOTCS wasn't nominated and didn't win a Oscar.
It won a Razzie for Worst Prequel,Remake, Rip-off or Sequel Award.
What a nose dive this franchise took.
Some people claim KOTCS is like the originals - No, the originals are a different type of film.
Lucas has said the original three were a tribute to the 1930's Republic serials and they decided to change the approach and make KOTCS a tribute to the 1950's B movie.
Quite a difference and Indy doesn't work as a 1950's B movie.