Indiana Jones and the Dial of Destiny review: An apt final journey for Indy
The iconic archeologist's swansong is a little safe – but it's an enjoyable, old-school action-adventure with more weight than Kingdom of the Crystal Skull.
Taking over from series regular Steven Spielberg, incoming director James Mangold does a fine job of making Dial of Destiny look and feel like an Indy movie. Yes, the opening train stunt feels too reliant on CGI, but for the most part, this has an old-school action-adventure feel. At its heart is a great performance from Ford, one of his most emotional outings as Indy, as he comes to terms with his ageing body and life-regrets. Alongside him, Waller-Bridge, who handles the action well, moulds her whip-smart persona into the character. Mikkelsen, meanwhile, is just the right side of madman, as he rants about “History’s greatest moment – it’s end!”
In a film about the the past, its fitting that there are some references to former adventures, but Mangold and his scriptwriters don’t overdo the Easter eggs. There’s enough iconography – the whip, the fedora – close to hand anyway, to ensure you don’t forget you’re watching an Indiana Jones movie. The final reel may take a serious flight of fantasy, but unlike those aliens in Kingdom of the Crystal Skull, it somehow feels an apt journey for Indy. Perhaps the film could’ve been more daring – it feels fairly safe – but fans will leave cinemas feeling like their old hero had one final great outing in him.
4 out of 5