James Byrne
New member
Attila,
So you share the Rocket man's derogatory view's on the Yma Sumac segments in SECRET OF THE INCAS, but fortunately didn't include any urge to empty your bladder during these interludes. I just don't get why anybody would have such a problem with Yma Sumac singing about Inca folklore in a movie set in Machu Picchu called SECRET OF THE INCAS. Since she had just knocked Bing Crosby off the top of the album charts, Yma Sumac NOT singing would have been a bit weird, don't you think?
I agree with you Attila that the way the Quechuan community were filmed and represented in SECRET OF THE INCAS is quite dignified, educational and a huge bonus to the movies credibility on a different level than just pure cinematic entertainment.
Regarding Heston's so-called lack of opposable thumbs, I find it slightly baffling that you noticed such a thing. All I see is Heston holding a glass of Pisco Sour.
Al least we agree on Nicole Maurey. She is lovely ... and a very underrated actress. I really appreciate her raised eyebrow when delivering the line, 'I know what I do for you, what do you do for me?' to Heston in her hotel room.
Thomas Mitchell is grand, of course, in every movie he appeared in. His characterization of a pathetic, lonely, slovenly, washed-up old fool with snot and food stains on his cardigan, still dreaming of 'The Big Strike' made Heston's abrupt about-turn in the finale quite credible. Heston realised he was going to probably end up like Ed Morgan so changed his ways.
Attila, your first viewing of SECRET OF THE INCAS was quite different to mine. You had loads of info and reviews of the movie at your disposal, via the internet, before seeing the movie on a tv screen, which may have indirectly influenced your opinion of it. I was ten years old and saw it on the big screen at a cinema in 1963, and knew nothing of the film's content beforehand. All I saw before going into the movie theatre was the eight Front-of-House stills on display outside the cinema, and it looked to be a cool movie. After viewing this extraordinary adventure I instantly recognized it as a special movie in many ways, even as a ten year old. The colourful characters, the eerie musical interludes, the dry humour delivered by Heston and Nicole Maurey, the mind-blowing location shots, and the amazing sets and costumes, made it a hugely enjoyable and very memorable night at the cinema.
So you share the Rocket man's derogatory view's on the Yma Sumac segments in SECRET OF THE INCAS, but fortunately didn't include any urge to empty your bladder during these interludes. I just don't get why anybody would have such a problem with Yma Sumac singing about Inca folklore in a movie set in Machu Picchu called SECRET OF THE INCAS. Since she had just knocked Bing Crosby off the top of the album charts, Yma Sumac NOT singing would have been a bit weird, don't you think?
I agree with you Attila that the way the Quechuan community were filmed and represented in SECRET OF THE INCAS is quite dignified, educational and a huge bonus to the movies credibility on a different level than just pure cinematic entertainment.
Regarding Heston's so-called lack of opposable thumbs, I find it slightly baffling that you noticed such a thing. All I see is Heston holding a glass of Pisco Sour.
Al least we agree on Nicole Maurey. She is lovely ... and a very underrated actress. I really appreciate her raised eyebrow when delivering the line, 'I know what I do for you, what do you do for me?' to Heston in her hotel room.
Thomas Mitchell is grand, of course, in every movie he appeared in. His characterization of a pathetic, lonely, slovenly, washed-up old fool with snot and food stains on his cardigan, still dreaming of 'The Big Strike' made Heston's abrupt about-turn in the finale quite credible. Heston realised he was going to probably end up like Ed Morgan so changed his ways.
Attila, your first viewing of SECRET OF THE INCAS was quite different to mine. You had loads of info and reviews of the movie at your disposal, via the internet, before seeing the movie on a tv screen, which may have indirectly influenced your opinion of it. I was ten years old and saw it on the big screen at a cinema in 1963, and knew nothing of the film's content beforehand. All I saw before going into the movie theatre was the eight Front-of-House stills on display outside the cinema, and it looked to be a cool movie. After viewing this extraordinary adventure I instantly recognized it as a special movie in many ways, even as a ten year old. The colourful characters, the eerie musical interludes, the dry humour delivered by Heston and Nicole Maurey, the mind-blowing location shots, and the amazing sets and costumes, made it a hugely enjoyable and very memorable night at the cinema.
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