sarah navarro said:It definitly wasnt fantastic the first time i was it but yah i did think it was great.Not everything i hoped for and yes it was very corny but all in all it was just another Indy film to me
No Ticket said:I've thought about it and seen it a few times now. Let it all sink in. I honestly just don't feel like it's "another Indy film." Not like LC, TOD. I realize they wanted to develop Indy into an old man who has turned into his father... but that was a bit of a mistake.
He isn't his father first of all. I don't think he would say "intolerable." The guy writing the script just was like "Sean Connery said it, haha, Indy should." That's all there is to it. But if he had thought about it, Indy is really only deep down like his father. I think an older Indy wouldn't have softened up this much.
He has very little "hero" time. He is mostly following people around etc. What we got was Indy but not the Indy we wanted. He wasn't all bad ass like usual. He didn't shoot anybody, etc. etc.
But most of all the "tone" of the film missed the mark. You watch the originals and that goofy yet serious vibe that runs through it is there. Guys head rolls on the floor towards Indy. Marcus gets a gun in his face and the weapon points over there and he points with his head. Indy shoots guys with a luger and it goes through all the Nazis and he is surprised (in the vein of just shooting the arab swordsman)... that kind of stuff was largely missing. Indy was fighting but that spirit was missing.
It also failed in delivering true heartwarming moments that make you care about the characters. Connery lying on the floor dying while Indy attempts to save him has more to it than anything in KOTCS. There was no true development between Indy and Marion or Indy and Mutt. Everyone was just kind of "there." And then Indy's suddenly married.
It just failed on those levels. There's a lot of problems with the film. No, Harrison acted the part dead-on... it has to do with how it was all written. It was just poorly executed from the most basic of forms... the script.
No Ticket said:But most of all the "tone" of the film missed the mark.
James said:I don't know, I thought the tone was dead on...just for a 1950s B movie, which is what this was supposed to be. The biggest problem I see is that a lot of fans wanted a 1980s film, and they got a 1950s one.
James said:I don't know, I thought the tone was dead on...just for a 1950s B movie, which is what this was supposed to be. The biggest problem I see is that a lot of fans wanted a 1980s film, and they got a 1950s one.
Blade said:If they wanted it to be a 1950's B movie, why did they spend millions of pounds when they could have done it for a few thousand?
James said:And think of the money they could've saved by shooting the first three on a 1930s budget.
No Ticket said:It also failed in delivering true heartwarming moments that make you care about the characters. Connery lying on the floor dying while Indy attempts to save him has more to it than anything in KOTCS. There was no true development between Indy and Marion or Indy and Mutt. Everyone was just kind of "there." And then Indy's suddenly married.
mdww said:It needed a 'save marion' moment - EG. at the end when Mac is being sucked into the vortex, it should have been both Mac and Marion being sucked in and Indy only able to save one of them.