Yeah, it looks alright...
As for Last Crusade, that's been a major point of frustration for me for
sometime. Life-long Indy fan (total geekdom, I admit...), and as a child Last
Crusade was my very first favorite film. Though as a more mature viewer I now
see the film's many flaws. As I mentioned in class, the reliance (and
ultimate degradation) of two prior mentor characters for comic relief is a
prime irritation. I think the film too much abandons its serial roots in
favor of a more family friendly adventure. The filmmakers even admitted
making it for the fans after the failure of (the far superior Temple of Doom).
It comes off as a poor man's clone of Raiders. What I love about Temple is
that like an old-time serial, it's our hero in a different setting, different
dame, all new adventure. Adventure-a-week sort of thing. Last Crusade tries
to create some frustratingly contrived universe where everything makes sense
in a classical way. Indy is given a father and thus loses his independence
and, as we've discussed with Neale's article, his mystery. He's tied too much
with society. Revealing his childhood also perpetuates that mistake. He's
destroyed as a figure of wonder--he loses his menace and becomes (like most
everyone else in the film) a bumbling idiot. One of the most unfortunate
scenes being when he tumbles down the staircase in the castle. And then
there's the scene where he punches Marcus in the face while dodging a shovel
from Col. Vogel. It's cheap comic relief and completely inopportune. I
suppose that's the primary reason why the tank chase while never stack up to
the truck chase and flying wing from Raiders. It's a pale rehash without the
commitment. That's highlighted, I think, by the cheesy way which Marcus
leaves the tank.
The comedy in the other films (though Temple is considerably more goofy) fits
in context with the films. Raiders is a more dry, verbal wit. The exception
though is Willie in Temple (she's utterly unfortunate...).
But yes, I feel in many ways, Connery castrates Indy. Rather than a pure
hero, with a temptation for the darker path, we have a child subservient to
his father. Connery overwhelms not only in context of the character, but also
overall in the film. He negates Indy. The film is Indiana Jones and the Last
Crusade, not Henry Jones Sr. and the Last Crusade.