Darth Vile said:
I'm sure you know my feelings re. TOD. As much as I do like it, it?s all rather mindless. I have to say, I prefer a movie that attempts something more philosophical and falls short, rather than something that just goes for straight thrills. KOTCS DOES fall short, but at least it tries (IMHO) to have more brains than TOD.
I'm not sure I can even grant you that.
While I agree that "Temple of Doom" aspires to little more than creating (at times literally) a rollercoaster action ride with little additional text, subtext or dramatic import, I cannot ascribe to the notion that KOTCS attempted anything "philosophical". Or had anything resembling "brains."
It does at least try to create some meaningful relationships with Indy, Mutt and Marion, but it falls spectacularly short, reducing the return of a beloved character and relationship to smarmy, broad, sitcommy nonsense.
Let's face it, all of the Indiana Jones films are light on dramatic and thematic resonance.
And I'd definitely agree that "Temple of Doom" is the least ambitious of all. "Raiders" dealt with the reconciliation between estranged lovers who clearly had a powerful bond and who endured a difficult break-up.
"Crusade" dealt with the reconciliation between an estranged father and son.
"Crystal Skull", in its clumsy, half-assed, inept way, tried to deal with family and romantic issues, as well.
"Doom", well, no one thought that Indy and Willie's romance was going to be anything other than a fling. There may have been sexual chemistry between them, but that was about it. Sadly, the cute father/son relationship with Indy and Short Round was pleasant enough, but not deep and there was no sense of what the context of that relationship was or was going to be outside of the events of the film.
However, I prefer the ToD model here. I'd rather have a movie not do something at all than do it badly. What's worse? No love story or a really, really bad one?